Ferrabosco Fantasias - Stylistic Observations
Bruce Bellingham
Introduction
Stylistic Elements
Suggested Readings
Key to Analyses
The author

Contact the author
Fantasias by Musica Britannica number
112
213
314
415
516
617
718
819
920
10
21
1122
Fantasias by Meyer number
113
214
3
15
416
517
618
719
820
921
1022
1123
12
Fantasia 21 (Meyer no. 15)
This fantasia is lacking from the major source, Lbl Madrigal Society Mss.G.37-42, but is found in 18 other major Mss.. In terms of mode and range of the parts, it fits between nos. 15 and 16.
Most of this piece features idiomatic Viol patterns requiring rapid bowing and string crossings.
The first section is virtually monothematic, with variable tails and counterpoints. At its end is an unusual passage: homophonic in 3 parts, like a madrigalesque Villanella.
The second section is almost 2/3 the total length, and again is virtually monothematic, based upon a figure that consistently includes an 8va leap whose execution is virtuosic and idiomatic for the Viols.
Even the final cadence figure, between two tonic pedals, is derived from its rhythm:
The Coda is also a summation of Alfonso's mastery, as the monothematic figure drives forward with such energy that the tonal arrival is extended and delayed through the stretti between the inner voices.

View the complete analysis here *.

Listen to examples† of the motives:
Motive 1a: mp3 wav Real Audio wma
Motive 2a: mp3 wav Real Audio wma


* You will need Adobe Acrobat Reader installed on your computer to view the analysis. In addition, you will need JavaScript and popups enabled for this link to function. If you prefer, you can click here to see the analysis in this browser window.

†Sound clips are from "Alfonso Ferrabosco II: Four-Part Fantasias". CD Recording, Viola da Gamba Society -- New England, 25th Anniversary Project, Sarah Mead, Producer (2002). Reproduced by permission.